Sirui 50mm T2.9 1.6x Anamorphic Lens for Canon RF
<b>Sirui Goes Full Frame</b>In the past few years, Sirui 1.33x APS-C anamorphic lens lineup has disrupted the market with its competitive price and exceptional optical performance. Always looking to challenge itself as a professional lens manufacturer, SIRUl again blows the minds of videographers with its 50mm T2.9 1.6x full-frame anamorphic lens, which can be said to have no equal in its class.<b>Wider than Wider</b>This lens features a 1.6 times squeeze factor. When shoot in 3:2, it will yield a 2.4:1 aspect ratio. When the sensor is set at 16:9, you'll end up with a much wider 2.8:1 aspect ratio, the viewing experience delivered by it is as premium and immersive as the IMAX format.<b>Frame as You Like</b>Whether to shoot grand scenes or tight shots, the images you get with this lens will be of superior quality, high resolution and good sharpness. Being a full-frame lens means it can shoot wider than its APS-C equivalents, leaving you plenty of room for pan-and-scan or punching in the post. For example, if part of an image is redundant, just crop it out without worrying about pixel loss.<b>What You Get is What You See</b>As the third eye of shooters, 50mm focal length has an angle of view that is very close to human eyes. Featuring a 1.6 times squeeze factor, this 50mm lens can deliver a horizontal angle of view we'd expect from a 31mm regular lens and the superorganic background blur, which help render your storytelling much more nuanced and engaging.<b>Beautiful Oval Bokeh</b>This lens, with a squeeze factor of 1.6 times, produces oval bokeh in a more pleasing shape than those lenses with 1.33 times squeeze, giving the footage extra expressiveness and aesthetics.<b>Vibrant Lens Flares</b>Pointing a light source directly into this lens to get that signature blue lens flares anamorphic lenses are known for, adding a sprinkle of magic to your image.<b>A Maximum Aperture of T2.9</b>When shooting wide open at T2.9 with the focus concentrating on the subject, you'll get a shallow depth of field image with the subject in focus and other areas out of focus. Using a wide aperture in low light conditions enables the camera to take in more light and achieves a faster shutter speed. Also, the aperture ring is engineered stepless to offer smooth iris control.<b>Cine Lens Housing</b>This lens looks super sleek as the whole barrel is built up of aluminium alloy. On top of that, the aperture and focus rings are both geared for a nice resistance and easy installation of a follow-focus system. With a 1/4 screw hole at the bottom, the lens can be mounted directly or the quick release plate to maintain the balance of the whole setup.<b>Match Perfectly with Full Frame Cameras</b>This model comes in native mount for Canon RF mount camera systems, compatible with such full-frame cameras as Panasonic SIH, ED KOMODO, RED V-RAPTOR ST, Canon R5, C300, Sony FX3, Nikon Z6. As an inexpensive alternative to branded full-frame anamorphic lenses, this lens is going to make...
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